10/30/2023 0 Comments Obitur douglas disThroughout the 1970s, Trumbull was so in-demand, he declined work on George Lucas’ Star Wars.Īround the same time, Steven Spielberg, then 29, began principal photography on his own sci-fi epic, Close Encounters. “I don’t think astronauts have to be automotons, I don’t think they have to be emotionless.” “I wanted to say something about the future that would be very much human, and very real, but I wanted to take the sterility and the mechanisation out of it,” he said in the film’s making-of documentary. The film’s ecological theme of a greenhouse botanist in space achieved cult status, all on a $1 million budget. While on 2001, Trumbull began conceiving his directorial debut, Silent Running. The sheet was placed in front of a 12-foot-long backlighted glass panel through which various lighting patterns were shined.īy tracking the camera toward the light source with a long exposure, the kaleidoscope of lights appeared to dart toward the camera from a single point. He recalled a camera technique that he had seen animator John Whitney use at the 1964 World’s Fair where he left the camera shutter open “while you move things around under controlled situations so you can create a controlled blur, and repeat the moves,” he said in 2018.Įxpanding on that concept, Trumbull built a six-foot-tall rotatable rectangle of sheet metal and cut a narrow slit in it. On Stanley Kubrick‘s 2001, Trumbull’s responsibilities grew rapidly as production moved along, and he found himself tasked with what would become his signature creation, the out-of-this-world corridor of light finale dubbed the Star Gate sequence. Sawyer statuette in 2012 for his career contributions.ĭirector Robert Wise hired Trumbull to handle special photographic effects skills for The Andromeda Strain (1971), then asked him to helm two memorable sequences for the first Star Trek movie - the docking sequence aboard the Enterprise and Spock’s spacewalk. The Academy awarded him a Scientific and Engineering Award in 1993 for the creation of his Showscan Camera System and the Gordon E. The Los Angeles native received three visual effects Oscar nominations (for 1977’s Close Encounters, 1979’s Star Trek: The Motion Picture and 1982’s Blade Runner) in a six-year span. The son of a man who did effects work on The Wizard of Oz, Trumbull also directed two sci-fi features: the eco-themed Silent Running (1972), starring Bruce Dern, and Brainstorm (1983), featuring Natalie Wood in her final film. Judy Balaban, High-Placed Participant in Hollywood, Dies at 91 She told The Hollywood Reporter that he died in Albany, New York an obituary from the family said the cause of death was complications from mesothelioma. Trumbull died Monday after a “major two-year battle with cancer, a brain tumor and a stroke,” his daughter Amy announced on Facebook. Douglas Trumbull, the visual effects visionary who, without CGI, fashioned the kaleidoscopic finale for 2001: A Space Odyssey, concocted the creepy cloud formations in Close Encounters of the Third Kind, filled the Blade Runner universe with smoke and fireballs, and helped create the birth of the universe that opens The Tree of Life, has died.
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